The Clockmaker’s Daughter

⇒A story spoken with multiple voices across the centuries that simultaneously warms your heart and freezes your bones. ⇐

Author: Kate Morton

(3.80 stars – Goodreads rating)

Genre: Historical Fiction / Mystery

Format: Audiobook

Published October 9, 2018, by Atria Books (Bolinda Audio)

Pages: 485 (Hardcover) ; Audio: 14 discs (17:03 hrs)

#TheClockmakersDaughter #ClockmakersDaughter

Human beings are curators. Each polishes his or her own favoured memories, arranging them in order to create a narrative that pleases. 

I have other hobbies besides reading. GASP! What?! No, I really do. One of them just happens to be putting puzzles together. I like the challenge, the repetitive motions, the feeling of satisfied accomplishment once it’s completed. A challenging puzzle soothes my anxiety and clears my headspace.

The Clockmaker’s Daughter is like a 485-page puzzle. It has characters coming at you from the left and right – from different centuries, in fact – and more than one mystery needs to made clear before the book can successfully end. It is a challenge. But if you’re up for it, Kate Morton rewards you with a rich story and a heady feeling of accomplishment once you’re done. Here’s the Goodreads blurb:

In the summer of 1862, a group of young artists led by the passionate and talented Edward Radcliffe descends upon Birchwood Manor on the banks of the Upper Thames. Their plan: to spend a secluded summer month in a haze of inspiration and creativity. But by the time their stay is over, one woman has been shot dead while another has disappeared; a priceless heirloom is missing, and Edward Radcliffe’s life is in ruins.
Over one hundred and fifty years later, Elodie Winslow, a young archivist in London, uncovers a leather satchel containing two seemingly unrelated items: a sepia photograph of an arresting-looking woman in Victorian clothing, and an artist’s sketchbook containing the drawing of a twin-gabled house on the bend of a river.
Why does Birchwood Manor feel so familiar to Elodie? And who is the beautiful woman in the photograph? Will she ever give up her secrets?

…the truth depends on who it is that’s telling the story.

There are a lot of moving parts to this book; the timeline jumps around from the 19th century to the 21st. Plus, it is told from multiple perspectives and in first and third person depending on whose side of the story you’re exploring in each chapter. That’s a lot to keep track of.

Reading a book that has a large cast and an equally large timeline can be a daunting task. An author can either do it successfully or botch it up miserably. Botching it isn’t hard to do, but getting it right is infinitely harder. Morton got it right. It is a puzzle, make no mistake, but in the end, the pieces fit so well together that you have to just sit back and appreciate the symmetry.

I think it would be a mistake (and terribly confusing) to discuss all the characters and their motivations here – plus, it would take up too much of your time because there are a lot of them. A lot. But the main protagonists are worth a mention: Elodie, who is an archivist in London, discovers the sketch of Birchwood Manor – the house that becomes a character all unto itself – and goes in search of the answers to why that house seems so familiar to her. Elodie, besides having an annoying name, is like a dog with a bone – she just won’t let it go, and that type of personality always makes for a good mystery-seeker.

Edward Radcliffe also deserves a mention because he’s definitely a linchpin to all the happenings. He’s passionate and headstrong, a character to be envied and pitied all at the same time. It is because of Edward that the story has as many players as it does, and because of him, too, that it is equally tragic and beautiful.

And now we come to Birdie Bell, the actual Clockmaker’s Daughter for whom the book is named. It is her part of the story that Morton chooses to relay in first person. It is her point of view that looms over several of the other characters’ tales. She is the one who knows the most because she has seen the most, but she still does not know everything – there are mysteries waiting to be revealed to her as well.

One generation passes to the next a suitcase filled with jumbled jigsaw pieces from countless puzzles collected over time and says, “See what you can make out of these.

So I’ve told you that this book is long, it has a huge cast of characters, and that it jumps around in time. So, why should you read it? Read it because it’s a love story. The deepest kind of love. The kind that takes over your whole life and ends up affecting everyone around you. Without Edward’s falling in love, there would have been no story.

You should also read it because it’s not just a love story. It’s a story of war and loss. Survival and fortitude. Music and artistry. Abuse and neglect that is conquered by strong wills and lively spirits. Good and evil. Plus, there are ghosts and fairies, magic, demons, treasure-hunters and princesses. No, really. I’m not kidding. It’s all in there!

The Clockmaker’s Daughter is a well-written book, with rich imagery and masterfully fleshed-out characters that will each draw you into their stories as easily as picking up one more piece to place into a puzzle.

Did I have questions at the end? Yes. Did I have to go back and re-read (replay) some parts? Yes. Was it worth it? Oh, yes. This wasn’t my first Kate Morton book, but so far it is her most memorable.

Kate Morton

Kate Morton is the author of five novels, all of which have been New York Times bestsellers, Sunday Times bestsellers, and #1 bestsellers around the world. Kate’s books are published in 42 countries, in 34 languages. – Bio adapted from

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